One of my favourite pieces of Christmas music is ‘For unto us a Child is born’ from Georg Friderich Händel’s Messiah. I have loved it since I was a child, touched by its bouncing joy and the intricacy of its polyphonic choral writing, with lines appearing and disappearing like needles through the musical fabric, aligning with each other for a few ‘stitches in time’ before one vanishes to reappear a moment later in a different hue. As a music historian, I am enchanted by the majesty of Händel’s choral setting, but its glorious lyrics are what I love most.
Having recently joined the FiSch Blog team, I thought I should introduce myself properly. I am currently a doctoral student working on British popular song during the Napoleonic Wars. The story of how I ended up working on this project is involved: its chief protagonists include my mother, who pushed me into a music degree during my indecisive youth, a marvelous music-history professor I encountered during my first degree, and a series of very nurturing supervisors, all of whom have had some interest in popular song or the music of Britain.
A couple of months ago, fellow FiScher Alicia Smith wrote a fascinating blog post on the relationship of her PhD studies with her faith. I’d like here to attempt something similar in relation to my own field. This post is going to ask more questions than it answers, for space reasons, but hopefully it will generate debate! If so, my plan is to follow this introduction up in more detail in the future, perhaps via an occasional themed series.